The sequence begins with Bond and two other 00 agents skydiving onto the Rock of Gibraltar, tasked with penetrating its radar installations. The pre-title sequence for The Living Daylights is not only the opening to the film, but also the introduction to Timothy Dalton as James Bond, and what an introduction it is. This pre-title sequence is a fantastic representation of how, throughout Craig’s era as Bond the films have married action and story in an unparalleled way. Ultimately this comes to no avail as the sequence ends sadly with Bond and Madeleine parting ways, just as the appropriately delicate Billie Ellish theme begins to play. When Bond suspects that Madeleine has sold him out to SPECTRE they must try to resolve the situation mid-pursuit. However, the action is heightened further by the drama of the plot too. The action alone is astounding, with no less than three spectacular stunts included in the sequence. The location for this sequence is stunning and seeing the classic Aston Martin DB5 racing through its streets is just so exciting. It’s most definitely this second sequence, featuring Bond and Léa Seydoux’s Madeleine in the beautiful Italian city of Matera, that exclusively earns it a spot amongst the very best of the Bond pre-title sequences. Its length can be attributed to the fact that it serves both as an origin story for the film’s villain, Rami Malek’s Safin, but also as a continuation of the events of Spectre. The longest pre-title sequence in the franchise’s history is found in No Time To Die, Daniel Craig’s final outing as Bond. This pre-title sequence works so well due to its tension and misdirection, as well as its set up of characters, locations and gadgets, all of which would be seen again later in the film. A mask is removed from the man who audiences thought was Bond, showing that he is actually just another SPECTRE operative. As Grant completes his kill a number of lights fixed to a mansion illuminate the area and it’s revealed that the whole scenario is actually a training exercise taking place on SPECTRE island. You would expect Bond to eventually outwit his opponent, but it’s actually Grant who manages to get the better of Bond, strangling him to death with a wire garotte that extends from his watch.īut how could Bond be dead after just three minutes of the movie? Well of course, he isn’t. The sequence sees Sean Connery’s Bond being stalked by SPECTRE agent Red Grant (Robert Shaw) around a hedge-maze in the dark of night. As well as being far more restrained than those that would follow, it’s also the shortest pre-title sequence in the franchise’s history. The franchise’s very first pre-title sequence in From Russia With Love proves this. James bond background music mp3 download full#Not all Bond pre-title sequences have to be full of high-octane stunts to be successful. Over the course of the franchise they have varied greatly in style, content and length, but which have done it best? To celebrate the 60th anniversary of the cinematic super spy, here are the seven Bond movies with the best pre-title sequences. These cold openings often consist of Bond on a mission, or a villain carrying out the first stages of their evil plan. With the exception of a few films, the pre-titles sequences take place after the iconic gun barrel introduction and before the theme song. However, arguably one the franchise’s most unique features are its pre-title sequences. These are only a few of the many attributes to be found in any given Bond film. James Bond films have many defining traits: terrible puns, over-dramatic theme songs and camp villains stroking cats.
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